Copyright in the Renaissance: Rogers’ primary influence was Nicholas Jenson ‘s Eusebius, considered the model for the modern upright printing of the Roman alphabet, which Rogers studied through enlarged photographs. Morris commissioned a revival font copying Jenson’s work, and several other revivals and imitations of Morris’ work had followed by Dates are approximate only. For the original release, matrices were cut by Robert Wiebking and the type was privately cast by American Type Founders. Retrieved 23 September Bruce Rogers, one of the giants of the United States typographic community, designed Centaur in for the Metropolitan Museum to use for titles.

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Centaur typeface 30 June Retrieved 4 May William Morris ‘s Golden Type began revivals of the Jenson style in with a more solid structure no matching italic was created for it ; other Jenson interpretations included the Doves Type while Ty;eface Satanick was a direct imitation of it.

The style is also called Venetian for the city Jenson worked in during his career as a printer. Selected essays on the history of letter-forms in manuscript and print Paperback reissue, digitally printed version.

The dots of the i and j are very visibly shifted to the right, a feature of Jenson’s original design. You can stick with it for titles, but Centaur remains legible in much smaller sizes than anybody ever dreamed of.


Centaur in use

Sign in to give feedback. Retrieved 9 July At small sizes, Centaur is like any Venetian face in that you won’t be able to tell that it is Centaur.

Retrieved 23 September Centaur has been digitised, both by Monotype in collaboration with Adobe, and by LTC, who assumed the rights to many Lanston American Monotype typefaces, under the name of Metropolitan. Our centaur typeface feedback system is built on GitHub Issues. It also modernises Jenson’s two-way serifs on the top of the ‘M’ in favour of one-way serifs.

Views Read Edit View history. The palaeotypography of centaur typeface French Renaissance. Subsequently, various people reworked Centaur into a text face. The Cross of Leadset in the Middle Ages. This version is now issued by Monotype Typography.

Centaur | typeface |

Selected papers on sixteenth-century typefaces. Retrieved 2 July Lawson, Anatomy of a Typeface David R. Not all typefaces shown. You may also typefqce feedback directly on GitHub.

Italics centahr not exist in Jenson’s time, and so the inspiration for Centaur’s italic comes from thirty years later, in the calligraphy and printing of Ludovico Vicentino degli Arrighi. Morris commissioned a revival font copying Jenson’s work, and several other revivals and imitations of Morris’ work had followed by By using this site, you agree to the Terms of Use and Privacy Policy. It cannot be disguised that, in the opinion of the writer, each version has lost some of centaur typeface vigor of the version that preceded it.


centaur typeface

Centaur (typeface)

It is believed to have been published in Rome and Venice between and Centaur is an elegant and quite slender design, lighter on the page than Jenson’s work and most other revivals, an effect centaur typeface amplified in the digital release compared to the metal type. Retrieved May 29, Retrieved 29 December Detterer and Robert Hunter Middleton in the s.

Read about centaur typeface change in our blog post. The typeface is classified as belonging to the humanist style of old-style designs, based on the predominant influence of Jenson’s work.

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